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Thursday, February 15, 2007

Artsy Gays on stage

Posted by Alison Hallett on Thu, Feb 15 at 2:27 PM

I got an interesting e-mail this morning from Chris Coleman, artistic director at Portland Center Stage. Coleman took issue with my recent review of PCS’s The Thugs, in which I objected to the show’s depiction of homosexuality:

Kelsey Tyler’s depiction of Bart, the office homo, was particularly offensive. I would’ve hoped progressive Portland had moved past the days of treating homosexuality like a running gag, but based on this production I’m forced to conclude otherwise: Bart wears a pink shirt and a fanny pack and when he makes a reference to a past relationship with another man, it’s delivered like a punchline.

Coleman responds:

I was… troubled by your comments about the character of “Bart”. As a homo resident here in Portland I was puzzled by what you found untruthful or offensive about a gay man being flamboyant, funny, bitchy, gossipy or the most stylish person in the room. Certainly “progressive Portland” (your words) is home to many homos who enjoy hiking, skiing, softball, rugby and even fly fishing. But amazingly, the population also boasts a wide variety of people just like Bart (I can point you to the appropriate bars if you’d like introductions). To pretend that homosexuals in the 21st century have suddenly all become more masculine than David Beckham is preposterous. What I love about being gay in this day and age is the opportunity afforded to celebrate all of ourselves – the ball player and the sissy within each of us: no apologies needed.

I think this brings up some really interesting issues. Coleman is right: I’m not here to tell anyone they shouldn’t be flamboyant or bitchy just because to do so is to act in accordance with a stereotype. On the other hand, I think that when theater (or film or tv or whatever else) is dominated by stereotypical representations, it becomes a problem. Read Coleman’s full e-mail, and my response, after the jump.

On Feb 15, 2007, at 11:29 AM, Chris Coleman wrote:
Hey Allison:

Read your review of The Thugs in this week’s Mercury. I was, obviously, disappointed that you didn’t care for the play. I think its pretty hilarious – but everybody is entitled to their own assessment. I am notably proud that we premiered two works this month that were developed right here in Portland at our Just Add/Water Festival. Part of the fun (and risk) or producing new work is that you get to celebrate its freshness, while knowing that only rarely does gestation occur without flaws apparent.

I was more troubled by your comments about the character of “Bart”. As a homo resident here in Portland I was puzzled by what you found untruthful or offensive about a gay man being flamboyant, funny, bitchy, gossipy or the most stylish person in the room. Certainly “progressive Portland” (your words) is home to many homos who enjoy hiking, skiing, softball, rugby and even fly fishing. But amazingly, the population also boasts a wide variety of people just like Bart (I can point you to the appropriate bars if you’d like introductions). To pretend that homosexuals in the 21st century have suddenly all become more masculine than David Beckham is preposterous. What I love about being gay in this day and age is the opportunity afforded to celebrate all of ourselves – the ball player and the sissy within each of us: no apologies needed.

Personally I found Bart’s character hysterical – having worked many years as a temp in my early days of theatre making.

Perhaps what “progressive Portland” needs more of is a sense of humor. Just a thought.

My best,

Chris


From: Alison Hallett [mailto:ahallett@portlandmercury.com]
Sent: Thursday, February 15, 2007 12:53 PM
To: Chris Coleman
Subject: Re: The Thugs Review

Hi Chris.
I put a lot of thought into my comments about Bart—being offended on someone else's behalf isn't something I usually take it upon myself to do, and I certainly have no problem with gay men expressing themselves in whatever manner they choose. What my objection boils down to is that I'm tired of seeing homosexuality used as a comic foil: The mere fact that a character is gay should not in and of itself be funny. I saw Burt's character as pandering to a straight audience's idea of what a gay person is like, and milking cheap laughs from the stereotype. That, to me, has little or nothing to do with accurately representing all the many shades of gayness, and more to do with reinforcing a status quo in which gay men are only embraced if they conform to certain expectations (that they be funny, effeminate, and wear pink shirts).
Thanks again for your feedback, though! I'll work on the whole "sense of humor" thing...

Alison

From: chrisc@pcs.org
Subject: RE: The Thugs Review
Date: February 15, 2007 1:37:15 PM PST
To: ahallett@portlandmercury.com

I guess I see humor as one of the myriad ways that gay men have created armour as a means of survival through the years. So it makes me happy that the gay guy is funny. But I hear your points.

My best,

Chris

Comments

But isn't the depiction of heterosexuality on stage a series of stereotypes itself?

I dunno. I was watching this one theater show where white dudes had this black stuff all over their faces and corncob pipes and they were dancing and carrying on.

I thought it was pretty funny.

Think of this as "for us, by us" comedy. The culture of gay men is so skewed towards identity crisis that it's great to see someone taking this particular aspect of gay male identity and throwing it out there in a pre-defined role.

Gay men are constantly telling themselves they must live up to this ideal, that ideal, this other ideal, and whatever that guy follows. You hear straight men joke about "no fat chicks"? Well, it's more widespread among gay men, where the line "no fats, no femmes" is out there. Hell, even in the bear community where everyone is supposed to be happy and fun and not care about those labels, there's an image and identity crisis.

"Masc men only" "Str8-acting men only"

Stop trying to force his hand on this, it's insulting.

Alex-Jon: I guess you could make a case for "reappropriating" the stereotype (though i'm not sure I would make that case)-- but I just didn't see that level of sophistication in PCS' performance. What I did see was a crowd of well-heeled culture-boosters laughing the funny gay man. Hardly "by us, for us." Have you seen the show?

No, and now I want to see it.

Matter of fact, I want to write a play that has a dynamic gay character that is exceedingly morbid!

Never once, during the rehearsal process did anyone ever coach/encourage Bart into anything "gay".
He was a temp who's thuggish behavior (pretty much the theme of the play- er go the title) was gossipmongering and manipulation (individual qualities I do not associate with any group). These characters are not supposed to be likeable. I would not suffer any of them in my own personal life.

Kelsey, in my OPINION, just played himself as if he were that kind of thug. He didn't put on any character voice or adopt any physical mannerism very remote from his own. As for all of the performaces, we were encouraged to embrace our own inner thug. Having the advantage of knowing all of my fellow cast members prior to the project, I think that goal was acheived.

I am glad that you feel strongly about what you wrote. You didn't pull punches. But there are some untruths about what you wrote.
When presenting "facts", it is important to make sure you get them right.

The shirt was not pink. It was red, microgingham. What about the shirt for day 2? I didn't see pink.

Nothing happened? Before I became associated with it, I saw it at JAW. I had no trouble identifying all of the events that happened. Yes, I used the word "happened".

Once again, I am made to realize that not all audience members can figure things out. It takes listening and an open mind. Many audiences need to be hit over the head in order for a point to be made. This play doesn't do that. If you do need to have things spelled out for you, you probably will have trouble with "The Thugs".

Thanks for the comment, Deb. It's really all too rare that audiences get to hear from the people involved in a putting on a play–Obviously, y'all wouldn't do what you do if you didn't think there was some value to it, and i think it's really helpful for prospective audience members to get a sense of why so many people think a given show is important.

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