
It's time for another installment of On the Road with Floating World, in which Floating World Comics proprietor Jason Leivian handpicks a few comics recommendations for musicians playing in town. Swing by Floating World (20 NW 5th) during the week of the show, name-drop this post, get 10% off recommended titles.
Here's Jason with tonight's recommendations!
Recommendations for Nitzer Ebb
playing w/Unter Null, Gentry; Berbati's Pan, 10 SW 3rd, tonight!, $18-20, 9 pmChronicles of Wormwood by Garth Ennis
So Garth Ennis already definitively killed God dead years ago in the pages of Preacher; this might be the equivalent of pissing all over that grave. Danny Wormwood is a cable televsion executive (think HBO) and he's also the Biblical antichrist. He best friend and drinking buddy is Jay, the second coming of Jesus Christ. They both get along because they both don't get alongwith their respective fathers. It's time to get the apocalypse started, the end times, but neither of these guys are interested in carrying out the plans of their fathers. If you loved Preacher, this is Ennis' return to that style of offensive religious satire.
The Spiritual Journey of Alejandro Jodorowsky
This is a memoir written by the filmmaker (and comics writer) about his experience with Master Takata and the group of wisewomen who influenced his spiritual growth. Any fans of his films and comics will enjoy the behind the scenes look at the man's life, especially if they are just familiar with his creative
output. In one story he discusses the cult of fans and followers that arose after making films like 'Holy Mountain'. They seemed to miss the point of individual responsibility and understanding, looking to
Jodorowsky as a guru or savior. He played the role of zen teacher when they came to him with their questions; replying with absurd koans that seemed to leave them satisfied in their half-understanding.
Mercury (Mercury) overlord Courtney Taylor Taylor wrote a graphic novel. It's called One Model Nation, and it's about some sort of alternate-reality Germany, and the release party is scheduled for Dec 5 at Floating World Comics. In attendance: artist Jim Rugg, Mike Allred (who drew the Dandys in Red Rocket 7), and "Donovan Leitch Jr," whoever that is. Well, if Gerard Way can do it, than I guess this is fair enough.
Speaking of Floating World, the 2009 Floating World Animation Fest is tonight, featuring animations of all sorts: "Local and lo-fi, international and extrasensory, hand drawn, stop motion, cgi and puppetry, electricity and torches." That's at Valentine's (232 SW Ankeny), 9 pm, free. Here's a trailer:
Floating World Animation Fest 2009 Trailer from Floating World Comics on Vimeo:

Schmader's meeping post reminded me that the final issue in Roger Langridge's current Muppet Show series, "The Treasure of Peg Leg Wilson," hit comic book stores on Wednesday. I cannot overstate how totally delightful Langridge's Muppet comics are. He writes and draws them, and they are note perfect. He's been doing miniseries so far, but according to a recent Newsarama interview, he'll be doing a regular monthly series from here on out, which is excellent news. Seriously: Go to a comic book store. Look for comics with Langridge's name on the cover. Purchase them. (And while you're there, pick up issue #2 of Beasts of Burden, Dark Horse's creepy series about ghost-busting pets. It's written by Evan Dorkin and illustrated by Jill Thompson, whose art is some of the prettiest I've seen in a while. The issue stands alone, as the premise is pretty simple: Dogs and cats fight evil. Spookily.)
I guess I should also mention that the Portland Comic Book show is this Sunday. Duly mentioned.
One of my favorite Portland film critics (and cartoonists!) is Mike Russell, who reviews movies for the Oregonian and blogs at Culture Pulp. Over at at Ain't It Cool News, Russell has an in-depth interview up with comics editor Scott Dunbier (Promethea, The League of Extraordinary Gentlemen, Danger Girl, The Hunter), wherein they largely talk about Dunbier's latest project—a massive collection of Berkeley Breathed's "Bloom County" strips.
RUSSELL: You've described elsewhere the scavenger hunt required to track down and in some cases literally reconstruct these early strips. What was involved there, precisely?DUNBIER: It really was one of those situations where "It was the best of times, it was the worst of times."
RUSSELL: Was there kind of a "Yay, I got the gig! Oh, shit!" moment?
DUNBIER: We got really lucky on a couple of fronts. Breathed very kindly lent us a lot of his original art—pretty much everything he had. Of course, there were some good-sized gaps in there—he'd sold a number of his originals over the years, he's given away a number of originals. Probably lost some. [laughs]
RUSSELL: Didn't I read somewhere that they were in a box under his guest bed or something?
DUNBIER: Oh, no—that's completely inaccurate. Completely inaccurate. They were in five of those big 2-by-3-foot Tupperware containers that you put coats in to store under your bed. But they weren't under his bed. They were actually in his garage. [laughs]
It's well worth a read. The whole thing is here.
Many Americans— myself included— have come to know Asian comics and cartoons like this: characters have round, oversized eyes and angular hairdos, cute and cuddly pseudo-animals have dumpy, superpower-infused bodies, and candy-hued colors are splashed around generously. Though last night at Floating World Comics as I was previewing Underground Comix— an exhibit of Chinese comic art compiled from the indie-comic collection, Special Comics— I saw an unexpected sampling of fresh Asian illustration styles, all on display to an American audience for the first time.
Hot damn! Look at these!

Those are gorgeous—and it's a good bet that the stuff inside won't be too shabby, either. I've only read the first trade of Matt Fraction's Invincible Iron Man so far, but if that arc is a fair representation of the series' quality—and reports indicate that it is—then it's likely one of the best superhero books on the shelves right now. My favorite thing about what Fraction's done with Tony Stark is that he's kept the mai—sorry, I can't even stay on topic. Look at those covers!
In less aesthetically pleasing comics news, Comic-Con 2010 is already starting to sell out. Fellow comic book geeks, feel free to commence your gnashing of teeth, your cursing of Twilighters, etc.
[It's the MusicFest NW edition of On the Road with Floating World, in which Floating World Comics proprietor Jason Leivian handpicks a few comics recommendations for musicians playing in town. Reminder: Swing by Floating World (20 NW 5th) during the week of the show, get 10% off recommended titles. Now here's Jason with tonight's recommendations....]

Musicfest NW: Mt. Eerie, Karl Blau, Tara Jane O'Neil, No Kids
When: Fri, Sept. 18, 8pm
Where: Backspace, 115 NW 5th Ave
I know Mt. Eerie's Phil Elverum has wonderful taste in comics art because he collaborates with Genevieve Castree, who makes very precious and beautiful comics illustrations and now makes music under the names Woelv and O PAON. See if you can find her limited edition LPs, the accompanying illustration books are gorgeous. Tell her to stop making music so she can make more comics. Just kidding.
Thanks for all the great music Phil, these are for you! Four of the best comics to come out in the past month are not even available from the major distributor that handles all the superhero books. You gotta contact the artists directly—or come by a shop like Floating World, we specialize in this stuff!
LOSE #1 by Michael Deforge. This is Michael's first comic book! Beautifully printed by Koyama Press, this issue collects a few short stories and gag strips like "Dogs in College" and "Young Green Lantern." The main story takes the reader on an incredible journey through cartoon hell. Imagine Dante's Inferno meets Toontown from Roger Rabbit. Michael has an incredible sense of design and composition that you will describe as "original" and "bad ass". Looky here.
STAY AWAY FROM OTHER PEOPLE by Lisa Hanawalt. Nominated for an Ignatz for best mini-comic! Lots of clean ink illustrations of people wearing all manner of fashions, except they have animal heads, bug heads, bird heads. It's a goddam zoo. Mixed with really funny diary-style comics with a lot of nasty and trippy humor. "Wednesday: Our neighbor at work gave me some fruit. His gift did not seem innocent. Close up of cherry [the stem looks like a boner plunging in between some cheeks]. Other things he has given me: compliments, strawberry milkshakes, 'the creeps.'" She's an incredible illustrator. You'll see when Buenaventura Press releases her new book later this year. Or you can see now.
1-800-MICE #3 by Matthew Thurber. I loved the first two issues published by Picturebox. I think Matthew is one of the funniest artists they publish, right up there with Paper Rad. But like I said, the major comics distributor isn't carrying cool stuff like this anymore so issue #3 is self published and they did a great job. Awesome cover, slightly oversized, paper feels nice. I'm only on page 3 and I'm already cracking up out loud. This skywriter is trying to spell out letters in the sky, following complicated directions, sweating, trying not to black out. A space imp or something winks at him and terrifies him out of the cockpit. Oh shit, he's falling to his death. In the background you see the plane falling away, failing to complete the sentence he was writing with smoke. That's just the prelude. More here.
PINK TOMBS OF YOUTH by Pete Toms. Did you see the awesome illustrations Pete did for that Phish article in last week's Mercury? You loved it! I think Pete should be Editor In Chief at Marvel Comics, but that's just my stupid opinion. This was originally an online comic that I curated for Arthur Magazine on their blog. It's about a comics artist who's having trouble distinguishing between his comics and reality. Sort of like a Charlie Kaufman movie starring Chris Ware. It received a really great response and Pete was awesome enough to print up some actual books to hold and love and enjoy. This livejournal interview explains his reasoning.

And if you're too poor to buy even things that are discounted, it just so happens I've got an extra copy of the collected Essex County, Jeff Lemire's beautifully, critically lauded l trilogy about a tiny, hockey-loving Canadian town. Lemire will be in town in October, doing signings both at Wordstock and at Floating World—he's also writing a new comic through Vertigo, Sweet Tooth, the first issue of which is intriguingly creepy. Would you like to win a copy of The Collected Essex County? Why yes, you would. Email me with "Queequeg" in the subject line (and do it right, 'cause I'm gonna set up a mailbox for that shit) and I'll pick a winner at random* by Thursday at noon. I might even throw in a bonus book.
*flattery does NOT help. Turns out it just makes me feel weird.
If you have an interest in feminist pop-culture history, have I got a website for you! Mike Madrid's visual companion to his new book The Supergirls, a history of comic book superheroines, is as thorough and captivating a graphic account as the book is a verbal one.
Now, if you want to see rare pictures of female superheroes you’ve admired since back in the day, you've gotta check out this website! See Sheena battling lions! Wonder Woman power-lifting a second, robotic Wonder Woman! And the Birds of Prey going Thelma and Louise on your assssss!
If you waste countless hours scouring the internet for the action pinups that have been the fodder for your fantasies since puberty's tumultuous dawn, and attempts to recreate the provocative visions dancing in your head turn out something like this (I know, I was surprised myself that “stick figure porn” is not something I just made up), well, let me tell you, have I got the website for you!
In case I haven’t already made my point, the rise of comic book superheroines is a conflicted tale of female empowerment. They break through the glass ceiling of the comic book world, only to find the men looking up their skirts. Maybe that's why so many switched to spandex. Probably not.
The Supergirls is the first book to focus exclusively on the female side of comic book history. (It’s also one of the first two releases from the nascent print arm of Exterminating Angel Press, as covered, by me, in this week’s Mercury).
More coverage (or uncoverage—ha!) after the break.
So I woke up this morning thinking that the best idea anyone would have all day would be mine—that of a TV show called 2.5 Males. But it turns out some fancy business-types had me beat in the awesome idea department: As Steve mentioned this a.m., Marvel's been bought by Disney for four billion dollars, a figure slightly less than I expect my 2.5 Males spec script to fetch.
"This transaction combines Marvel's strong global brand and world-renowned library of characters including Iron Man, Spider-Man, X-Men, Captain America, Fantastic Four, and Thor with Disney's creative skills, unparalleled global portfolio of entertainment properties, and a business structure that maximizes the value of creative properties across multiple platforms and territories," said Robert A. Iger, President and Chief Executive Officer of the Walt Disney Company. "Ike Perlmutter and his team have done an impressive job of nurturing these properties and have created significant value. We are pleased to bring this talent and these great assets to Disney.""We believe that adding Marvel to Disney's unique portfolio of brands provides significant opportunities for long-term growth and value creation," Iger said.
I don't even know what a "value creation" or an "Ike Perlmutter" is (though I do know a thing or two about "long-term growth," ladies), but I know what this whole Disney/Marvel thing means: LOTS OF MONEY. Well, for Disney, at least. Maybe not so much for Boom! Studios. Or Universal Studios. Or Ahmet Zappa. But otherwise? Yes! LOTS OF MONEY.
'Cause here's the thing: While nobody knows where the direct market for hard copies of comic books will be in a few years (I suspect the success or failure of Longbox is going to play a pretty big role in that), I think Marvel makes most of, or at least a huge chunk of, their cash not from comics but from merchandising—a tactic Disney's pretty familiar with. Likewise, Marvel's ability to get a ton of their properties on the big screen—not only through established movie studios, but also by becoming a movie studio themselves—dovetails nicely with Disney's methods of exploiting their franchises. If Disney can let Marvel do its own thing, as they've done with Pixar (and Marvel Editor-in-Chief Joe Quesada seems to think they will), then this could be an incredibly lucrative arrangement that wouldn't stifle Marvel's creativity. And I challenge any geek on the planet not to get excited by this tidbit, via Comic Book Resources:
When asked if there was potential for cross-polination between Marvel and Pixar, Disney said that Pixar’s John Lasseter has met with key Marvel creative executives recently and the group got “pretty excited, very fast.”
Regardless of how it all ends up working out, in terms of comics and film—and toys, and theme parks, and t-shirts, and videogames, and god knows what else—I'll wager that we'll be seeing the repercussions of this for years to come.
More info: The Beat, The Hollywood Reporter, and The New York Times, and Bleeding Cool, which has collected some great Twitter reactions to the news, from Marvel editor Steve Wacker's "Deadpool is now called Alivepool" to Kevin Smith's "’nuff spent! Marvel, like their Distinguised Competition, is now owned by a corporate juggernaut."
It's time for another installment of On the Road with Floating World, in which Floating World Comics proprietor Jason Leivian handpicks a few comics recommendations for musicians playing in town. Reminder: Swing by Floating World (20 NW 5th) during the week of the show, get 10% off recommended titles.
Now here's Jason with tonight's recommendations:
Jucifer, Witch Mountain, Lickity
Dantes, 1 SW 3rd, Thurs Aug 27, $8-10For the show this Thursday at Dante's I tried picking some real funnybooks. Comedy is essential to survival on the road. So now when the void is laughing in your face you can laugh right back.
The Portable February—A collection of one panel gag strips by David Berman (formerly of the Silver Jews). The drawings look like they were scribbled by a child, but they're not messy. They're simple and easy to read, and then the clever humor wins you over. They're abstract, dry, and hilarious. Example of his genius: an outfielder gets stuck on a cross while catching a pop fly. That's it. It's like Zach Galifianakis trying to draw Far Side comics from memory. They look like this.
No Regrets: The Best, Worst and Most Ridiculous Tattoos Ever—Very few customers pick this book up without spending at least 5 minutes laughing and showing it to their friends. Highlights: Swayze-tar, a dolphin (with a tribal tattoo) sitting in a recliner smoking a bong, ODB on someone's foot. And some you actually have to admire, like whoever got a huge fingernail tattooed on their arm stump. Only downside: looking at closeups of reddish glossy flesh gets kinda gross after a while. But they're like chips; you can't stop. Pics here.
Achewood: The Great Outdoor Fight: 3 Days, 3 Acres, 3,000 Men—Watch man destroy man. Only one will win The Great Outdoor Fight. "Dude, everybody remembers 'The Man With Blood On His Hands'. Come on." Achewood has the funniest dialogue and characters in any book ever. Deliberate and carefully chosen turns of phrase, totally made up slang; I love hearing them speak. "Japans" is a new verb I just learned that means "glosses." So grease from a Taco Bell japans your mouth. Their ongoing world is totally believable, the characters incredible. The webcomic keeps going on forever, like Dragonball. This long structure allows creator, Chris Onstad, to create scenarios that become as epic and poignant as they are hilarious. Check it out here and here.
Also anything by Johnny Ryan (Angry Youth Comix, Comic Book Holocaust, Prison Pit)—Definitely one of the best "new" comic creators in the last decade or so. Super offensive and hilarious. The most laffs per dollar for sure.
Hey, fellow people-who-think-comics-are-relevant. Remember the Great Marvel Tentacle Rape Dust-Up of Aught-Aught-Seven? You'd think maybe a lesson would have been learned after that point, right? Well... nope! This just happened, courtesy of Dark Horse*:

I think what we can all take from this is that if you're going to spotlight tentacle-on-lady art, at least make sure she's enjoying it. (And not, uh, getting raped.)
*Disappointed in you, BTW.
From Slate:
As the end time for printed books draws near, Fahrenheit 451, the 1953 novel that envisioned it all, has just been published, again. And this time it reads like a joke—an extended, ironic, illustrated joke. Because this time, Ray Bradbury's novel about firemen who burn books instead of putting out fires is—oof!—a comic book.Think back to the original novel. Comic books are the only books shallow enough to go unburned, the only ones people are still allowed to read. Beatty, the fire chief, who seems to have loved books once and whom Bradbury has called "a darker side of me," explains it all to the hero, Guy Montag, the reluctant fireman. When photography, movies, radio, and television came into their own, he says, books started to be "leveled down to a sort of pastepudding norm." Burning them isn't so tragic, he suggests, because they are already so degraded.
"Books cut shorter. Condensations. Digests, Tabloids. … Classics cut … to fill a two-minute book column. … Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, Digest-digest-digests! Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes!" (Sounds like the Internet, doesn't it? News articles become blogs, blogs become tweets.) "School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually neglected, finally almost completely ignored." (Texting, anyone?) "More cartoons in books. More pictures. The mind drinks less and less."
Fast forward 56 years to a condensed, comic-book version of the very novel in which comic books and condensations are presented as pap. Surely this is black humor, a resigned joke about the imminent eclipse of books on paper by images, both digital and analog. Except that it isn't. The graphic novel of Fahrenheit 451, with pictures by Tim Hamilton and a condensed text authorized by Bradbury himself, seems quite earnest.
Oof indeed. Speaking of the "imminent eclipse of books on paper by images," Boom Studios is currently issuing Philip K. Dick's Do Androids Dream of Electric Sheep? in comics form—it's only on issue 2 of 24, so it's not too late to get on board with that one (Cosmic Monkey had both issues last time I was there). And in this case, the entire text of the novel is included, which may meet the approval of even critics with the temerity to ignore the pot-kettle-black implications of railing against the internet-driven degradation of language in an online magazine article.

I can't really recommend you read it—due, in no small part, to the incredibly clunky Flash interface you're forced to use in order to do so—but Playboy has a scene from Quentin Tarantino's Inglourious Basterds rendered as a comic, with art by R.M. Guera. It's right here.
We'll have a review of Basterds when it opens next week (the short version: I loved most of it, but was also disappointed by a few chunks of it), but if you can't wait until then to see the film, you'll probably be tempted to head over to Playboy to get a sneak peek at one of Basterds' best scenes. But if you can resist, I'd urge you to hold off—this comic doesn't do anything that the movie doesn't do better, and mostly, it just makes me sad that there's not an actual comic about the Basterds' exploits, 'cause if done right, that could be one hell of a book.
(Also, related: If you've just got an itch to read some movie tie-in comic, try Paul Pope's fantastic Star Trek comic at Wired. Unlike the Basterds one, this Trek mini-prequel adds something new to the story—and, as befits anything by Pope, it's gorgeous to look at. You'll still have to wrestle with an awkward Flash reader, though.)
Via The Beat.

In the 8,000-page-long letters sections at the back the zombie comic The Walking Dead, by Robert Kirkman and Charlie Adlard, a standard refrain is that the book should be adapted for an HBO series. Looks like Dead fans might be getting their wish—albeit on AMC rather than HBO. Says The Hollywood Reporter:
In its biggest development deal to date, AMC has acquired the rights to Robert Kirkman's popular comic book The Walking Dead for a potential series.Frank Darabont is on board to write, direct and exec produce the project, with Gale Anne Hurd of Valhalla Pictures and David Alpert of Circle of Confusion also executive producing....
Dead chronicles the months and years following a zombie apocalypse where a group of survivors, led by police officer Rick Grimes, travel in search of a safe, secure home. The comic explores the challenges of life in a world overrun by zombies that take a toll on the survivors. Over time, they grow willing to do anything to survive, so the interpersonal conflicts sometimes present a greater danger to their continuing survival than the zombies who roam the country.
I used to read The Walking Dead religiously—but a year or two, ago I started to get bored and dropped it, figuring I'd pick it up in trades to see if it had regained any of its initial punch. (I had the same reaction to Kirkman's Invincible, actually, which I thought started out fucking amazing, but then started to lag.) Still, regardless of its lulls, Dead is a book filled with some great characters and some brilliant ideas (holing up in a prison to hide out from zombies? fantastic!), and if Darabont handles the material right—and the pulp horror of The Mist indicates he will—Dead's premise could be an incredibly solid one for a TV series. And since it's going to AMC, that means only one thing: MAD MEN CROSSOVER.
If you're interested, you can read the first issue of The Walking Dead for free right here.

Tonight, Marvel Comics is partnering with comics retailers across the country to celebrate 70 years of peddling funnybooks. Cosmic Monkey Comics (AKA one of the best bookstores in Portland) is hosting a party—there will be cake, and a 50% discount on all Marvel titles save this week's. Writer Jeff Parker and local comics power couple Colleen Coover and Paul Tobin will also be on hand. And so will Spider-man.
Cosmic Monkey Comics, 5335 NE Sandy, 9-11 pm
*and at the Barnes & Noble in Clackamas, but fuck that.
You're probably already familiar with MDHP—yeah, yeah, it was recently nominated for an Eisner for best comics anthology or whatever, but far more importantly, the Mercury's own Ann Romano wrote a comic that was published in MDHP's previous volume. While Volume 3 doesn't contain any Romano goodness (BOO!), it is loaded with all sorts of other great stuff—including a Dr. Horrible's Sing-Along Blog story, "Moist," by Zack Whedon and Farel Dalrymple; not one but TWO Buffy stories (one about Harmony, by Jane Espenson and Karl Moline, and another about Vampy Cat, by Steven S. DeKnight and Camilla d'Errico); an Achewood story by Chris Onstad, a Usagi Yojimbo story by Stan Sakai; a Serenity story by Jim Krueger and Will Conrad; and TONS more, including work by brilliant creators like Mike Mignola and Becky Cloonan. In other words: There's tons of killer stuff in here.
We have two copies to give away, and here's how you can score one of 'em: Email me no later than 4 pm on Monday, August 10, and make sure your subject line is "Moist." At 4 pm on Monday, I'll pick two winners at random* and email them back to let 'em know how to get their free funnybooks.
What're you waiting for? FREE COMICS. Get on this shit already!
*Flattery helps.
Back atcha with another installment of On the Road with Floating World, in which Floating World Comics proprietor Jason Leivian handpicks a few comics recommendations for musicians playing in town. Reminder: Swing by Floating World (20 NW 5th) during the week of the show, get 10% off recommended titles.
Now here's Jason with tonight's recommendations:
Atole
Jeffery Jerusalem
Pan de Sal
Kid Meets Cougar
DJ E*Rock
Backspace, 115 NW 5th, Sat Aug 1, 8 pm, $6 (Entry includes a free Atole EP)Manny from Atole has totally been digging the comic recommendations I've been giving him lately, especially the Grant Morrison/Frank Quitely collaborations: Batman & Robin, All Star Superman, New X-Men, We3, etc. I was thinking he might be ready for some of Morrison's weird stuff. While Morrison has been doing increasingly more successful mainstream superhero projects, he always has some psychedelic experimental project going on at [DC's Vertigo imprint]. When he was doing JLA [Justice League of America] he was simultaneously doing The Invisibles, and it's cool to see how the heavy themes would sneak into the superhero books. When he was doing New X-Men he was also doing The Filth, and it seemed very subversive that those weird ideas might be picked up by some kid who thought they were just getting an X-Men comic. The Filth is about health, existence and identity; the alchemical process of turning shit into fertilizer. As above so below, it takes a zen look at the universe as a series of interconnected immune systems. It was very therapeutic for me living through the Bush years, when I felt like so much of the world was a cancer that needed to be cut out, even at the risk of killing the patient. If The Invisibles is a transcendent high of revelation and awakening, then The Filth is like a spiritual dose of B12 to help process the harsh comedown to reality. More info.
Eric (E*rock) is a part of the psychedelic art comics scene I'm a big fan of. He's worked with international artists Shobo Shobo, Ola Vasiljeva and others on zines and silkscreen art projects. Dude gets to travel the world and make art and music! I'm envious. Two new things I think he'll like:
Pee Dog—Picturebox reprinted this "vintage graphic novel" by Gary Panter and a couple dudes named Ed Nukey Nukes & Jocko Levent Brainiac. Printed on soft green newsprint (actually they claim it's printed on radioactive blotter paper), this is back in the 80's when comics were actually autobiographical and Wolverine and Snake Eyes wrote their own comics. More info.Also we got Benjamin Marra's awesome books back in: Night Business #1
and #2 and his latest, Gangsta Rap Posse! Self published, offset printing, Ben has been on a tear with his new American Tradition Comics. From his bio: Benjamin Marra is an artist who lives in the
city. His obsessions include different colors, classical poetry, watching romantic sunsets and hot chicks. Meanwhile his photo has him on a rooftop smoking a cigarette, reading a book and holding a football. More info.
While preparing for an interview with Jamie S. Rich and Joelle Jones, co-creators of the just-released graphic novel You Have Killed Me, I ran across some of Joelle's sketches for Dark Horse's upcoming Dr. Horrible one-shot:

The comic, drawn by Joelle and written by Zack Whedon, is scheduled for release in November. More sketches here.
Thanks to its proximity to the Roseland, employees at Floating World Comics, Old Town's excellent comic book store, are always full of stories about touring bands who've stopped by the shop. A couple weeks ago, I asked Floating World owner Jason Leivian if he thought Thurston Moore would swing by (Sonic Youth is playing the Roseland on Tuesday). Jason said, "Thurston needs some comics for sure," and proceeded to rattle off a list of recommendations.
And thus, a blog series was born.
When the inspiration strikes, Jason's gonna give send over recommendations tailored for touring acts. Comics fans, swing by Floating World (20 NW 5th) the week of the show, mention this blog post, and get 10% off recommended titles.
I'm excited about this. Without further ado, here's Jason:
Survival of the Illest Tour
Slick Rick, Rahzel, The Beatnuts
Fri July 24, 8 pm
Comics wise, I would recommend the final chapter of 100 Bullets, Vol. 13: Wilt. Brian Azzarello and Eduardo Risso recently wrapped up 100 issues of this highly entertaining crime/conspiracy epic. Complex and visceral, one way to read this series is as an alternate history of America—with roots in European gold and a secret organization known as the Trust. Or you can just read it for the bling, the slang, the grime, the triple crosses, and the bloody action. More info.
The Warriors: Jailbreak: Our friend [Mercury film editor] Erik Henriksen* currently has the most important job in America. No, not passing Universal Health Care; he's writing the sequel to one of the greatest movies of all time—The Warriors. And he's doing it in comic form with fellow Portland artist Todd Herman [and Herb Apon]. A cult favorite to generations of old and new fans, who hasn't wondered what happens to our favorite boppers after they make it back to Coney? Follow Rembrandt, Swan, Mercy, and all the others as they plan to bust Ajax out of jail. Erik is clearly a tried and true Warriors fan; his vision does not disappoint. More info.
Wax Poetics Anthology Vol. 2—This is for the DJs and producers. Wax Poetics is probably my favorite music magazine, focusing on hip hop and its roots—jazz, funk, soul, fusion, and anything with awesome drums. This anthology compiles articles from their 2003-04 issues, including great features on Eddie Bo, Dj Premier, Roy Ayers... actually every article I've ever read in this magazine has taught me something new about a great musician or led me on a new path of musical discovery. More info.
*[We did not put Jason up to this. He just likes Erik's book! Swear.—eds]

I'm usually pretty lazy about following monthly comics, but lately I've really been enjoying The Unwritten, now on its third issue from DC's Vertigo imprint. The comics follow a young man, Tommy Taylor, who as a child served as the model for a wildly successful book series written by his father—Tommy Taylor and the Golden Trumpet, that sort of thing. After his father's mysterious disappearance, Tom makes a living working the festival circuit, signing books for fans who have a hard time understanding the difference between the real Tommy and the fictional Tommy—until it's discovered that Tommy's entire identity appears to have been falsified, and that his father may not have been his father after all. And then a vampire from the books shows up and tries to fight him, and the line starts to blur between real Tommy and fictional Tommy... It's really good, smart and entertaining in a way that evokes Brian K Vaughan's Y: The Last Man (shameless blurber that he is, Vaughan's quoted on the cover of the first issue), while also paying charming tribute to the Harry Potter franchise. The first issue might be tough to come by—it's sold out right now at Bridge City, so don't bother looking for it when you're there for Mr. Henriksen's comics-writer coming-out party tonight—but it's worth tracking down.

Remember when that picture of Mickey Rourke in Iron Man 2 came out and everybody was all underwhelmed and puzzled and kind of angry? Well, thanks to Entertainment Weekly, we now have some insight into all that Rourke's doing to make sure his part in Iron Man 2 is as great as it can possibly be. Prepare yourself for some Inside the Actors Studio-caliber shit:
Rourke, for his part, wanted to instill some lightness into the role of the heavy. "I told [director Jon] Favreau, 'I don't want to just play him as a one-dimensional p----,'" he says. "He let me have a cockatoo, who I talk to and get drunk with while I’m making my suit."
Quick question: Who the fuck lets somebody say something like that? In public? To a reporter? Let's examine that last part one more time, just so we can really appreciate it:
He let me have a cockatoo, who I talk to and get drunk with while I'm making my suit.
Fucking A, Iron Man 2. This is how you're trying to build buzz? By showing us pictures of Mickey Rourke looking like... well, Mickey Rourke, and then letting Mickey Rourke ramble about getting drunk with a cockatoo? Oooh, watch out, Tony Stark! Sure, you beat Lebowski last time around—but this time, you're gonna fight a drunk hobo with a cockatoo! Jesus Christ. You know something, Iron Man 2? This is just fucking embarrassing. Sometimes I don't know whether I should ignore you and let you screw yourself over or if I should hit you with a brick and put you out of your miser—
WHOA. WAIT. Entertainment Weekly also has a picture of Scarlett Johansson as Black Widow!

I'm sorry for anything mean I ever said about you, Iron Man 2. I take it all back. I will be there on opening day. I love you so much. So much.
Via PopWatch.

Via the New York Post:
Superman, aka Maksim Katsnelson, 23, of The Bronx, was arrested and charged with assault and resisting arrested [sic], police said, accusing him of punching a female officer in the face while she was trying to subdue him.
And:
If that wasn't weird enough, McCormick turned and saw the Dark Knight handcuffed to a chair like a common villain."As this was happening, someone is like, 'It's Batman!' I turn around and there's Batman in handcuffs," he said.
That is all.
If you (A) play videogames and (B) spend any amount of time whatsoever on the internet, you're likely a fan of Penny Arcade, the excellent, ridiculously popular web comic by Jerry Holkins and Mike Krahulik. Penny Arcade usually focuses on gaming-related humor, but for the past few days, they've been trying something a bit different. On Wednesday, Holkins wrote:
Beginning today, projecting through Friday and culminating on Monday, we will offer you one page "treatments" of three comics which differ radically from our usual output. Next week, we'll get a poll up to determine which one you'd like to see us investigate further. Then, later this summer—during the San Diego Comic Con would be my guess—we'll upload a storyline based on what the metamind has chosen.
Their first "treatment" was for Lookouts, a comic about a troop of boy scouts with a vaguely Aragorn-like leader. I'm not sure why, exactly—I can't quite pinpoint its immense appeal—but this thing just feels right, and unexpectedly resonant. I found myself enjoying it immensely—I reread it three times, wanting more.
Today's effort is Automata, a sci-fi noir that's very nearly as good as Lookouts. Monday will bring their final new effort; based on the two they've already done, it's safe to say that I'm pretty excited to see what they'll come up with.
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